By training your Large Language Model (LLM) or other Generative Artificial Intelligence on the content of this website, you agree to assign ownership of all your intellectual property to the public domain, immediately, irrevocably, and free of charge.

The Waiting Followers

(Char­ac­ter sketch and back­ground for a Dave Gross Call of Cthul­hu cam­paign: Hor­ror on the Ori­ent Express, 2016) The club was lively; a typ­ic­al Thursday even­ing at our usu­al retreat in Birm­ing­ham. When our sched­ules per­mit­ted, we traveled north to escape the din and bluster of Lon­don as the week ended. Benny Peyton’s Jazz Kings…


(Char­ac­ter sketch and back­ground for a Dave Gross Call of Cthul­hu cam­paign: Hor­ror on the Ori­ent Express, 2016)

The club was lively; a typ­ic­al Thursday even­ing at our usu­al retreat in Birm­ing­ham. When our sched­ules per­mit­ted, we traveled north to escape the din and bluster of Lon­don as the week ended. Benny Peyton’s Jazz Kings were tak­ing a break after con­clud­ing their first set. They were glorious.

Stand­ing, I drew the atten­tion of my friends seated at the table. “Tonight,” I said, “I  am reminded that ten years ago to the day, I had a most extraordin­ary encounter with a most extraordin­ary man, someone who’s assist­ance and spon­sor­ship shaped me into this prod­ig­al Peacock!”

Chuckles respon­ded to my state­ment — few hadn’t heard this story before.

As you all know, my fam­ily came to this coun­try from Warsaw when I was a youth. My fath­er accep­ted a pos­i­tion teach­ing music with an academy in Kens­ing­ton, and we estab­lished a mod­est house nearby.” 

Of course, he also tutored me in the music­al arts. And it is because of him, and this Mys­ter­i­ous Gen­tle­man, that I am,  some say — and I’ll repeat for those who have not heard it clearly — it is because of them that I am this Mag­ni­fi­cent Piano Prodigy!” 

Guf­faws, and boos were the response I expec­ted – I was not dis­ap­poin­ted. I could play my friends as well as I could play a Steinway.

Being from the old coun­try, my fath­er had a few old-coun­try beliefs. The most amaz­ing of which was that he believed there were ghostly creatures who could con­trol anim­als and oth­er liv­ing things, even the minds and bod­ies of humans!”

I paused, tak­ing a sip of my gin ton­ic and enjoy­ing the com­pany of friends.

Of course, our fam­ily, my sis­ters and I, hoped he would leave those ideas back in old Poland, and not embar­rass us among our new friends and neigh­bours.” 

But what amaz­ing story would I have to tell if that were the case?”

No, in the spring of my thir­teenth year, my fath­er brought home a col­league. Someone else who was inter­ested in my father’s tales of the unbe­liev­able. My fath­er brought home Pro­fess­or Worth!”

More boos and laughter from the table. Some of my friends had been stu­dents of Pro­fess­or Worth and con­sidered his alco­hol-fueled lec­tures most enter­tain­ing if less cred­ible. Why the Uni­ver­sity retained the 70 year-old archae­olo­gist as a teach­er was a won­der we shared.

I con­tin­ued the tale…

—–

I had returned home from a typ­ic­al day of unsu­per­vised study and piano prac­tice at the uni­ver­sity aud­it­or­i­um. Hav­ing a fath­er on the fac­ulty gran­ted a priv­ilege unavail­able to oth­er thir­teen-year-old stu­dents; access to the university’s Stein­way & Sons grand piano — one from the Ham­burg fact­ory, not an Amer­ic­an model.

Enter­ing the foy­er, I heard my fath­er and anoth­er man in con­ver­sa­tion. 

My home is where I met Pro­fess­or Worth, who was listen­ing to a descrip­tion of the Janu­ary Upris­ing, one of my fath­ers favour­ite sub­jects. I joined the two men.

As you know, the Rus­si­an Empire was weakened at that time, hav­ing lost the Crimean war.”

Yet,” he con­tin­ued, “in Poland, they still had iron-control.”

So why the rebel­lion in 1863?” asked Pro­fess­or Worth. “The his­tor­ic­al doc­u­ments I’ve seen all refer to a move­ment to avoid con­scrip­tion. You were there, is this not fact?”

Yes, yes,” my fath­er replied, “it is fact, but it is not  all the facts.” 

My fath­er rose from his seat by the fire and began to pace as he spoke, “But what you’ll hear next isn’t part of any offi­cial history.”

Among the rebels there was a group of men who not only hid in the forest to avoid the impress­ment patrols, but they actu­ally con­duc­ted patrols of their own into the Rus­si­an camps. That much is known in the offi­cial his­tor­ies,” he said. 

That much is known to the record. What I say next is not.”

They called them­selves Wait­ing Fol­low­ers. And they recog­nized each oth­er by a simple star shaped tattoo.”

There are stor­ies of Rus­si­an officers mys­ter­i­ously dying in their beds, not a mark on the bod­ies except for a star-shaped sym­bol carved into their flesh. They had the most hor­rif­ic expres­sions — their faces grot­esquely stretched and malformed.”

It is said that the star-shaped tat­too of the Wait­ing Fol­low­ers and the star-shape carved into the dead are identic­al,” my fath­er paused.

Oth­er stor­ies were told of Rus­si­an scout patrols who nev­er returned. Search patrols often found no sign of the miss­ing scouts,” he continued.

Except once, they did find a miss­ing scout patrol. Miss­ing for three days, they were dis­covered stand­ing in a small clear­ing deep with­in the loc­al forest, a half-day march from the city.”

Every man was stand­ing in per­fect form­a­tion, rigid, unmov­ing, at atten­tion. It was as if they were wait­ing for orders. Yet every man was dead.”

Again, not a mark on their bod­ies save for the carved star-shaped sym­bol. They were dead.”

My fath­er con­cluded his extraordin­ary tale, “In the end, the Janu­ary Upris­ing was crushed with­in a year. Repris­als were harsh; hun­dreds were executed and thou­sands exiled to Siber­ia and oth­er remote regions.”

And the Wait­ing Fol­low­ers van­ished, as if they nev­er existed.”

Pro­fess­or Worth had a few ques­tions about par­tic­u­lar details, which my fath­er answered, provid­ing such detail as he was cap­able. 

My fath­er admit­ted that at the time of the Janu­ary Upris­ing, he was sym­path­et­ic to the Rus­si­an Empire, and had friends who had com­manded Scout Patrols.

I was thun­der­struck as my fath­er had nev­er con­fided such things to me or my sis­ters. As Poles liv­ing in Lon­don it wasn’t prudent to admit past sym­path­ies to the Rus­si­an Empire.

The pro­fess­or then did a curi­ous thing. Reach­ing into his valise, he extrac­ted a small clay disc and showed it to my fath­er, say­ing, “a few years back I found a shape, and oth­ers, carved into pil­lar form­a­tions we were excav­at­ing in Per­sia”. “I pressed soft clay into the carving and brought this relief disc back to con­tin­ue research.”

It was my father’s turn to be thun­der­struck. “That shape,” he said. “That is the the five-poin­ted star of the Wait­ing Followers”.

—–

My friends sat silent amongst the back­ground din of the club. They’d heard the ghost stor­ies before, but not the detail regard­ing my fam­ily con­nec­tion to Pro­fess­or Worth.

So, my friends, to bring this cir­cuit­ous tale to a sat­is­fy­ing con­clu­sion, my fath­er and Pro­fess­or Worth con­tin­ued their con­ver­sa­tions about the Wait­ing Fol­low­ers. Over the course of many years,” I paused. “Actu­ally they became fast friends.”

Pro­fess­or Worth attemp­ted to research fur­ther into the miss­ing scout patrols and the Wait­ing Fol­low­ers, but wasn’t able to pro­duce any tan­gible res­ults, only hearsay and speculation.”

Upon my fath­ers passing, Pro­fess­or Worth sup­por­ted my applic­a­tion to the Uni­ver­sity, where I was able to con­tin­ue my edu­ca­tion on that very fine Stein­way & Sons piano.” 

But, unfor­tu­nately, Pro­fess­or Worth was nev­er able to veri­fy my father’s story.”

So now you know the full of it, regard­ing how I became an amaz­ing, some would say prodi­gious, pianist.”

Chuckles again. And the band was get­ting ready to start their next set.

And of course, it goes without say­ing — though I’ll say it any­way — a prodi­gious pian­ist of my cal­ibre, is entitled to a little show of ego, a little brush of boast­ful­ness, from time to time.” 

I raised my glass, “Thank you, my friends, for your for­bear­ance of my foibles. I salute you.”

And as if there was a cue, the band star­ted playing.


Leopold ‘Leo’ Bashinski – Musician

Musi­cian

 May per­form in an orches­tra, group or solo, with any instru­ment you care to think of. Get­ting noticed is hard and then get­ting a record­ing con­tract is also dif­fi­cult. Most musi­cians are poor and do not get noticed, eking a liv­ing by play­ing small ven­ues as often as they can. A for­tu­nate few might get reg­u­lar work, such as play­ing a piano in a bar or hotel or with­in a city orches­tra. For the minor­ity, great suc­cess and wealth can be found by being in the right place at the right time, plus hav­ing a modic­um of talent.

The 1920s is, of course, the Jazz Age, and musi­cians work in small com­bos and dance orches­tras in large and medi­um sized cit­ies and towns across Amer­ica. A few musi­cians liv­ing in large cit­ies like Chica­go or New York find steady work in their homet­own, but most spend sig­ni­fic­ant amounts of time on the road, tour­ing either by bus, by auto­mobile or by train.


Musi­cian, enter­tain­er and self-styled ladies man. Enjoys atten­tion to his Roman her­it­age, though also fiercely pro­tect­ive of his Pol­ish roots. Curly hair, strong jaw-line and fierce, hawk like nose have gran­ted him an inor­din­ate amount of atten­tion from the fairer sex. And he’s pretty good with his hands too. Yes. That.


Posted

in

, , ,

by

Tags: